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DTSTART;TZID=America/Chicago:20260501T100000
DTEND;TZID=America/Chicago:20260906T190000
DTSTAMP:20260609T144611
CREATED:20260507T135719Z
LAST-MODIFIED:20260507T135719Z
UID:10022131-1777629600-1788721200@kvno.org
SUMMARY:Peter Millett | Gestures
DESCRIPTION:Peter Millett: Gestures is on view at KANEKO from May 1 through September 6\, 2026.\nSculpture\, at its most essential\, is a conversation between form and space\, and few artists have sustained that conversation with as much patience and curiosity as Peter Millett.\nGestures traces the arc of Millett’s practice across several decades\, from the dense\, rusted weight of early Corten steel to the open\, luminous planes of his most recent powder-coated works. The materials shift. The inquiry doesn’t. Throughout\, Millett returns to the same essential questions: how shapes relate to one another\, how surfaces catch and release light\, how sculpture can project feeling and presence without uttering a single word.\nWhat emerges across the full span of the exhibition is not just a record of formal evolution\, but a portrait of an artist who has remained genuinely open to new materials\, to unexpected outcomes\, to the possibility that the next body of work might ask something entirely different of him. That openness is visible in every piece.\nGestures is accompanied by a series of public programs\, including artist conversations and hands-on making sessions with Peter Millett. Learn more about upcoming programs and how to participate.\nBefore or after your visit\, take a stroll through The RiverFront Sculpture Park to experience Millett’s work Raindance in the open air.\nThe exhibition and programming is made possible through funding from the Metropolitan Entertainment & Convention Authority (MECA)/The Riverfront. \n  \nCurrent Regular Gallery Hours (As of May 2026):\n\n\nMonday – Wednesday: Closed\nThursday – Friday: 1:00 PM – 7:00 PM\nSaturday – Sunday: 12:00 PM – 5:00 PM\nSaturday Family Time: 10:00 AM – 11:45 AM
URL:https://kvno.org/event/peter-millett-gestures/
LOCATION:KANEKO\, 1111 Jones St\, Omaha\, NE\, 68102\, United States
CATEGORIES:Art Gallery,Exhibit
ATTACH;FMTTYPE=image/png:https://kvno.nyc3.cdn.digitaloceanspaces.com/wp-content/uploads/2026/05/07085441/recep-1.png
ORGANIZER;CN="The Kaneko":MAILTO:info@thekaneko.org
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DTSTART;TZID=America/Chicago:20260501T120000
DTEND;TZID=America/Chicago:20260926T190000
DTSTAMP:20260609T144611
CREATED:20260507T140246Z
LAST-MODIFIED:20260507T140246Z
UID:10022132-1777636800-1790449200@kvno.org
SUMMARY:Therman Statom | Colecciones de Estudio de Invierno
DESCRIPTION:This exhibition runs from May 1 through September 26\, 2026.\nColecciones de Estudio de Invierno brings together new and recent work by Omaha sculptor and glass artist Therman Statom\, one of the defining figures of the contemporary glass movement. The title points to the nature of the work itself: pieces that emerged from sustained studio practice\, gathered here as a kind of personal inventory\, objects that carry the accumulation of a long creative life.\nStatom works by cutting\, painting\, and assembling sheets of plate glass\, gluing them together into large-scale sculptural forms—chairs\, ladders\, houses\, wall-mounted constructions—and sandblasting their surfaces into canvases for color and line. Found objects enter the work along the way\, adding texture and narrative. The resulting pieces are at once structural and painterly\, drawing from the gestural energy of Abstract Expressionism and the economy of Minimalism without settling comfortably into either tradition.\nThe work is vivid and physical—glass that catches light\, holds color\, and invites close looking. But there is also something quieter running through these pieces: a sense of objects observed\, collected\, and reconsidered. Statom has described art as a tool for empowerment and exploration\, and that conviction is legible throughout the exhibition.\nColecciones de Estudio de Invierno is accompanied by a series of public programs\, including artist conversations and workshops led by Statom during the run of the exhibition. \n  \nCurrent Regular Gallery Hours (As of May 2026):\n\n\nMonday – Wednesday: Closed\nThursday – Friday: 1 p.m. – 7 p.m.\nSaturday – Sunday: 12 p.m. – 5 p.m
URL:https://kvno.org/event/therman-statom-colecciones-de-estudio-de-invierno/
LOCATION:KANEKO\, 1111 Jones St\, Omaha\, NE\, 68102\, United States
CATEGORIES:Art Gallery,Exhibit
ATTACH;FMTTYPE=image/png:https://kvno.nyc3.cdn.digitaloceanspaces.com/wp-content/uploads/2026/05/07090138/Website-Widespread-32.png
ORGANIZER;CN="The Kaneko":MAILTO:info@thekaneko.org
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DTSTART;TZID=America/Chicago:20260614T140000
DTEND;TZID=America/Chicago:20260614T170000
DTSTAMP:20260609T144611
CREATED:20260530T071339Z
LAST-MODIFIED:20260603T012623Z
UID:10022209-1781445600-1781456400@kvno.org
SUMMARY:Ojuha: Indigenous Connection to Color
DESCRIPTION:For hundreds of years\, Native American tribes of the Plains\, Plateau\, and Basin regions crafted containers from hard animal skin. This untanned\, natural skin—sourced from deer\, elk\, and buffalo—is known as rawhide. \nThe designs painted on these containers were representational\, geometric\, and abstract\, each rich in meaning and unique to specific regions and tribal nations. They told creation stories\, conveyed star knowledge\, expressed spiritual beliefs\, and embodied virtues and values. Certain designs were particular to individual Tribal Nations\, Indigenous families\, women’s guilds\, and men’s societies across the different regions. \nNatural paint pigments were derived from berries\, rocks\, and plants\, then mixed with hide glue. The finished containers were coated with a solution made from plant starches\, gelatin\, and gum fiber to preserve and protect them. \nThese vessels served a wide range of purposes: holding spiritual items\, feathers\, food\, clothing\, medicines\, tools\, weapons\, and other everyday essentials. \nFor centuries\, these containers have been misidentified as “parfleche\,” a term used by French fur traders to describe Native American shields\, also made of rawhide. The word parfleche literally translates as “stop arrow.” Over time\, the term was broadly applied to any item made from rawhide\, a misidentification that persists to this day.
URL:https://kvno.org/event/ojuha-indigenous-connection-to-color/
LOCATION:KANEKO\, 1111 Jones St\, Omaha\, NE\, 68102\, United States
CATEGORIES:Education,Workshop,Workshop
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ORGANIZER;CN="The Kaneko":MAILTO:info@thekaneko.org
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