“Arts For ME!” Bug Installation
Lauritzen Gardens 100 Bancroft Street, Omaha, NE, United StatesA collection of bug sculptures created by students enrolled in the adapted art program, “Arts For ME!”
— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
A collection of bug sculptures created by students enrolled in the adapted art program, “Arts For ME!”
August 21 through September 199 a.m. to 8 p.m. Monday and Tuesday9 a.m. to 5 p.m. Wednesday through SundayOn the gallery walls in the visitor and education centerIncluded with paid […]
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
Breathe, get grounded, and enjoy gentle balancing & stretching movement in this Hatha Yoga class that honors the seasons. Take the time to unwind and treat your senses to the […]
Erte, the Ballet is a full length contemporary ballet, choreographed by Connie Hinman and set to the opera, 1000 Airplanes on a Roof, by Philip Glass.
Feel free to tour all the featured 40+ local professional photographers depicting realistic landscapes, figures, and portraits.
Visual meditations on our impermanence, awareness of cyclical time, and connection with nature- inspired by the botanical collection at Lauritzen Gardens
A collection of bug sculptures created by students enrolled in the adapted art program, “Arts For ME!”
August 21 through September 199 a.m. to 8 p.m. Monday and Tuesday9 a.m. to 5 p.m. Wednesday through SundayOn the gallery walls in the visitor and education centerIncluded with paid […]
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.