— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
Paolo Arao makes sewn paintings, weavings, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past 5 years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries.
Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories.
Paolo Arao makes sewn paintings, weavings, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past 5 years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries.
Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories.
TENGGER is a traveling musical family, made up of Pan-Asian couple ITTA (from South Korea) and MARQIDO (from Japan), who create their brand of psychedelic New-Age drone magic through the use of voice, Indian harmonium, and toy instruments (played by ITTA), and synths and electronics (played by MARQIDO).
Paolo Arao makes sewn paintings, weavings, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past 5 years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries.
Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories.
Paolo Arao makes sewn paintings, weavings, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past 5 years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries.
Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories.
This talk gives an early glimpse into Jenni Sorkin’s in-process book project, Deviant Scale: Cloth at the Body’s Margins, which argues for a reevaluation of textile-based art production in the United States during the period of 1985–2000.
Paolo Arao makes sewn paintings, weavings, and site-responsive installations that are rooted in geometric abstraction. This exhibition will showcase Arao’s work over the past 5 years including work he began while a resident at Bemis Center in the spring of 2020 as well as site-specific installations utilizing the architecture of Bemis Center’s galleries.
Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging focuses on the historical aspect of textiles as a vehicle for communication and representation. Linking this ancient form of expression to contemporary artworks inspired by this legacy, the thirteen artists in the exhibition engage intentionally with materials bearing complex histories.
