— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
Arts for ME! and KANEKO invite you to see the Spring 2024 Semester exhibit.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
The 50th annual Omaha Summer Arts Festival (OSAF) will take place in Aksarben Village on June 7-8-9, 2024! All of your favorites return with 135 artists from throughout the U.S. AND from right here in Omaha; a stage featuring dozens of talented local musicians; a huge, hands-on Children’s Fair and Young Artist Exhibition; and some of the best food in Omaha. Plus, don’t miss the return of the mural cubes!
Arts for ME! and KANEKO invite you to see the Spring 2024 Semester exhibit.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
