PACE | New Masters
Pottawamie Arts, Culture and Entertainment (PACE) 1001 S 6th Street, Council Bluffs, IA, United StatesFeel free to tour all the featured 40+ local professional photographers depicting realistic landscapes, figures, and portraits.
— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
Feel free to tour all the featured 40+ local professional photographers depicting realistic landscapes, figures, and portraits.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
Vinyasa yoga keeps your body moving in sync with your breath- leading towards an alignment of your physical, mental and spiritual self. Join instructor Jose Villegas for an expansive range […]
You bring the wine and we’ll bring the paint. Our instructor, Ariel Shearer, will lead a guided painting session that will leave you with a botanical-themed painting of your own […]
Table Grace: The Musical is a work created by Simone Weber (singer-songwriter, co-founder of Table Grace Ministries from Omaha), and Jay Gish (Improv comedy specialist, performer, writer, director based in Chicago).
Winner of 15 Tony Awards, including Best Musical and Best Revival, Hello, Dolly! is classic musical theatre at its finest.
Feel free to tour all the featured 40+ local professional photographers depicting realistic landscapes, figures, and portraits.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.