— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
A collection of portraits of the artist’s houseplants and paintings inspired by flowers from their garden. Explored in a mix of grey-scale and full color.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
Are you looking for an exciting and enriching summer experience for your child? Then look no further! Our Art Camp program is the perfect way to spark your child’s creativity and imagination, while also developing their artistic skills.
Fascinating collaboration of opera and local artists culminating in an exhibition at the Joslyn Castle Carriage House Gallery.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
Learn about flower forms and drawing flowers in this class with Camille Werther
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
A series of plant portraits sparked by the folkloric history of Mandrakes and continued on as an exploration of other plant species gaining consciousness and freedom of movement.
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
