— dedicated to promoting the growth and appreciation of the arts in the Omaha community.
A multi-sensory exploration of some of the world’s most famous works of art, this special installation invites all visitors to move beyond visual appreciation and to engage with subject matter, style, and technique through touch and sound.
Visual meditations on our impermanence, awareness of cyclical time, and connection with nature- inspired by the botanical collection at Lauritzen Gardens
August 21 through September 199 a.m. to 8 p.m. Monday and Tuesday9 a.m. to 5 p.m. Wednesday through SundayOn the gallery walls in the visitor and education centerIncluded with paid […]
Eva LeWitt approaches her sculptures and installations with a spirit of experimentation, curiosity, and play.
Visual meditations on our impermanence, awareness of cyclical time, and connection with nature- inspired by the botanical collection at Lauritzen Gardens
August 21 through September 199 a.m. to 8 p.m. Monday and Tuesday9 a.m. to 5 p.m. Wednesday through SundayOn the gallery walls in the visitor and education centerIncluded with paid […]
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
Visual meditations on our impermanence, awareness of cyclical time, and connection with nature- inspired by the botanical collection at Lauritzen Gardens
August 21 through September 199 a.m. to 8 p.m. Monday and Tuesday9 a.m. to 5 p.m. Wednesday through SundayOn the gallery walls in the visitor and education centerIncluded with paid […]
With inspirations that orbit centuries from ancient Indigenous pottery to Moai statues to Land Art, Halfmoon interrogates the intersection of tradition, history, gender, and personal experience.
From wordplay with the actual letters that comprise “BLACK,” to utilizing the expanse of shades of black house paint—including as Nightfall, Soot, Ebony Field, and Black Beauty—to posing the question, “If the color black had a sound, what would it be?,” Benjamin calls attention to the color’s deep historical and social resonance.
